Episode 47

full
Published on:

7th May 2024

Eurovision Week 2024: Semi Final 1 Winners, Surprises and Reaction

The first semi-final of Eurovision 2024 has taken place in Malmo, Sweden, and our first 10 Grand Final qualifiers are confirmed, but who are they?

Who were the standout performers on the night?

And how does this affect our expectations of the final?

Join Steven and producer Liam for some immediate reaction and insight following the broadcast, and get in touch - tell us your views over on X via @Bingewatch_Pod

If you love Eurovision as much as we do, don't forget to connect with us on social. DM us on Twitter at @Bingewatch_Pod and join our Facebook Page.

You can also now support the show with a generous Douze Points of your own!

And if you want more bingeworthy TV coverage, check out our other shows:

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Douze Points is a Podcasts By Liam production, presented by Steven Perkins and produced by Liam Heffernan. Original theme composed by Ian MacEwan. The Bingewatch network was created by Hannah Fernando and Ian MacEwan. For any queries, including advertising & sponsorship, please email hello@podcastsbyliam.com

Transcript
Speaker:

We are looking good to go.

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I'll count myself in.

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Three, two, one.

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Hello, I'm Stephen Perkins and this is

Doucepoir, the Eurovision podcast from the

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team behind BingeWatch.

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Right now it is Tuesday the 7th of May, it

is 10 .28pm.

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I've just watched the Eurovision semi

-final number one and so what better time

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than the middle of the night practically

to sit here and do a quick analysis of

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everything that we've just witnessed.

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And I'm delighted to be joined once again

by producer Liam.

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Liam.

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Welcome back to the podcast.

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Hello Stephen, yes I am with you in spirit

for this semi -final.

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So I've had the day in Norwich just to

give people some unnecessary backstory to

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my life today.

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So I missed most of the performances so

I'm very excited to find out your thoughts

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on them.

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I am however in the spirit of Eurovision

enjoying a little tipple while we record

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this.

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it song number nine?

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Have you tippled?

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Yeah, I mean, I guess we can talk a little

bit about everything that happened.

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I think first and foremost, I just want to

talk about the results we've just

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witnessed because for me, what was strange

was when they started reading out the

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results, I was like, have they got the

right sheet of paper there?

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Because the first three, I think that they

announced...

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were all sort of three that I kind of had

down as non -qualifiers.

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So when the first ones they announced

through were like Serbia, Portugal and

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Slovenia, I was like, okay, this is not

going the way I expected it to.

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But then that's the joy of Eurovision is

that the vote never goes the way I

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expected it to.

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There's always a curve ball in there

somewhere.

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Yeah, do you know what?

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I think we had the same conversation last

year in that they announced the favorites

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towards the end.

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And I kind of see the logic for both in

that you start off with a couple of

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outsiders and then it sort of shakes

things up a little bit.

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However, I also kind of feel like when you

leave Croatia and Finland and Ireland to

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the last few, the element of sort of

unpredictability is kind of gone because

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you know they're going to be there.

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Yeah, I think a lot of the speculation

today about who was going to be the last

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one announced through, I think a lot of

people were saying Ireland just because

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obviously they haven't qualified for quite

a while.

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And, you know, it would have been such an

upset tonight if they hadn't got through.

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So, but I can understand totally why they

left Luxembourg till the end, because that

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was kind of the borderline one.

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I think obviously everyone was, was

rooting, certainly everyone in the arena

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was rooting for Luxembourg to kind of

stage their dramatic comeback and...

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I was always a bit kind of borderline with

that one because I mean I threw them a

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pity vote myself but I was sat there going

the conversation we just we literally just

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had in my living room was that like if if

this wasn't their big return after 30 odd

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years and they hadn't been put on last

would they be getting through with that

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song?

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Probably not.

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Hmm.

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I agree.

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I think, you know, it was a big return,

what, 30 odd years?

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And it's, it kind of felt like they had to

put them through because it would have

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like, they'd have gone, I think they never

would have seen Luxembourg again if they

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didn't.

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exactly.

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You'll see Martin Osterdahl out there in

the corridor chucking a few votes in just

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in case.

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It's a joke, it's a joke.

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Don't sue me anyone.

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But yeah, I mean, let's, shall we have a

little talk through the big moments of the

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night?

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Yeah, let's do it.

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I have to say, I actually, before we get

started on the performances, the host

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tonight, kudos to her.

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She was brilliant from what I saw.

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So fantastic job.

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Yeah, I mean Petra Meda obviously, you

know, Eurovision royalty at this point,

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absolutely brilliant.

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Knows exactly what she's doing, brilliant

comedy, brilliant hosting.

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Marlene Ackerman, I liked, I thought she

looked quite nervous.

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I think you could tell this was a little

bit outside of her comfort zone.

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I think she did a fine job.

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And I think it was one of those things

where by the time we get Saturday and

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she'll have two shows under her belt,

she'll be flying by that point.

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But you could sort, you could slightly see

the nerves with her, particularly when...

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if Petra was off somewhere else and Marnie

was on the stage on her own, you could

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sort of see her thinking, I want my friend

back here, I want my friend back here.

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But yeah, I mean, the thing about Sweden

is if you say what you like about them,

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but they know how to put a Eurovision on.

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I mean, it was in terms of just having,

you know, fun things to happen when they

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were trying to fill an ad break, you know,

that little like grinder skit that they

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did was great.

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They had, you know, and they had some

great moments with like getting Johnny

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Logan out.

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getting Benjamin Ingrosso to perform,

fantastic.

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And I mean, we had a lovely opener with

Eleni Ferreira, and then we had Eric Sada,

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and then kind of, bless them, they kind of

felt like they were the warmup act for

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Chanel to come out and absolutely wipe the

floor with both of them, I thought.

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I mean, she's just, you know, there's

something just pneumatic about that woman

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and the way she performs.

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And, you know, I always slightly feel for

her, because I feel like in...

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in another year she could have walked a

win easily and she was just kind of

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unlucky that she was kind of the same year

as Ukraine being the inevitable winner and

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also UK having an unexpected resurgence.

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Yeah.

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Well, on the, on the subject of, the UK,

very tenuous link there.

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I want to know your thoughts on Ireland

because they've been surging up the,

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bookies, sort of rankings, in the last few

weeks.

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They're now solid top 10 and they

qualified tonight.

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This is very unconventional Ireland.

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did their performance live up to

expectation?

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Yeah, absolutely.

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I mean, for me, Ireland were the event of

the night.

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I mean, I normally my process for

Eurovision is that I try to avoid as much

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of the songs as I can up until the semi

finals.

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Then obviously, as I started doing this

podcast, I've not been able to do that

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because I've had to because I've had

things to talk about.

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So now my process is that although I

listen to all the songs, I try to avoid

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finding out too much about the staging.

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So I've at least got some surprises

waiting for me on the night.

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And I was just hearing so many things

about what Ireland had planned.

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And I was like, I can't wait to see this

one.

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And it just did not disappoint at all.

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It was, there was so much going on and it

was, I mean, the thing that I loved, I sat

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there going, this is airing at like 8 .30

on BBC one.

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And it's like something out of Dracula.

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It's just, you know, there's all of this

kind of, you know, witchcraft and demonic

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imagery and things happening and you know,

pentagrams on the floor and all this sort

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of stuff and lighting candles and you

know, a big reveal where.

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where their dress melts and suddenly

they're in this, you know, this like trans

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flag bikini type thing.

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And I'm just, I mean, the whole thing was,

you could sort of see that Ireland had

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stepped back this year and gone, you know

what, what we've been trying the last few

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years has not been working.

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So let's just do something very, very

different.

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And, you know, if it doesn't work, then

we've, you know, all we've done is we've

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just added an extra gear onto our losing

streak.

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But, you know, this year, I think, you

know, I...

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I still don't think it's an outright

winner, but I think, you know, they have

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kind of, they've sort of come from being,

you know, a borderline hopeful qualifier

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to being a dead -cert qualifier to, I

think, genuinely being in contention to do

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really, really well on Saturday.

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I think, you know, depending on what sort

of draw they get and position, I think,

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yeah, I think that's an island, the one

that we should all be scared of, quite

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frankly, in both senses.

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I feel like Ireland are going to end up

being that country where, because of how

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they announced the results in the grand

final and they leave all the public votes

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to the end.

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I feel like Ireland are going to be the

ones who might actually cause an upset

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somewhere.

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They're not going to win themselves, but I

think they're going to get a lot of votes

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and that could take, well, that will take

points away from other countries.

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So I think Ireland could be a catalyst in

the final.

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Yeah, I mean, I think I don't want to get

too ahead of ourselves here because we've

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got enough to discuss with the semifinals.

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But I think, you know, what's going to be

interesting this year in the finals, I

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don't a lot of the front runners, Televote

wise, aren't necessarily going to be big

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jury players and vice versa.

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So it's not going to be like it was last

year when you kind of had Lorene who just

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romped home with all the jury and was

always going to be kind of, you know, top

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five absolute minimum at Televote.

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So you kind of knew everyone else was

going to have their work cut out to

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capture this year.

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It does feel like, you know, things like

Croatia.

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and Finland and Ireland are all going to

do really well on the televote but how I

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don't know how the jury is going to

respond to those kinds of songs so it's

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going to be a really interesting result

session on Saturday I think.

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Definitely.

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And you, you mentioned about, staging, a

few minutes ago.

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And, so I want to know what were the other

standouts, you know, was there any staging

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that particularly impressed you or really

disappointed you tonight?

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I mean I loved Poland staging, it was an

absolute mess but I loved it.

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It was real, I read on Twitter, I don't

know how true this is, but it's the same

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person behind the staging of that was also

the person who did the two trumpets for

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Embers, which explains a lot if that's

true.

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But you know, it was a lot of kind of

ideas being thrown at it with no real kind

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of cohesion.

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She was sort of striding a giant red horse

at one point which I absolutely loved.

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But yeah, it was kind of an endearing

mess.

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But I think actually that the one country

other than Ireland who really stood out

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for me stating what it was, was Ukraine

because they just had a very kind of

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simple staging concept.

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There was like a bit of big rock on the

stage and Gerry was kind of like traipsing

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up it very kind of determinedly.

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And, you know, there was some kind of sort

of slightly messianic imagery going on,

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but it was just so incredibly well

executed.

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And I mean, I love that song anyway.

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I think that song is beautiful.

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And I think they had such a beautiful

combination of staging and performance and

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song all kind of together.

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So I think, you know, again, can't ever

rule out Ukraine at Eurovision.

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They just, they're so good at it.

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Yeah, they've got the formula down for

Eurovision and you're right, they're

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always, it would be a surprise at this

point if they ever didn't qualify, I

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think.

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But talking of staging, I think one of the

real standouts in the highlights reel is

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in terms of, you know, my God, like I need

to see the full performance of this is

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Finland.

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I mean, well, from what I've seen, it

basically...

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looks like the entire performance was

based around Windows 95 man looking for

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clothes and was that a fair reflection?

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Yeah, I think so.

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I mean, basically, the whole thing was

that he was wandering around looking like

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he had no pants on, but obviously he did

have pants on.

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And they'd blocked the whole thing so that

there was always something kind of

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comedically happening in front of him that

was going to block seeing his genitals.

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And I think I've been on a bit of a

journey with that song because when it won

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the national final, I was like, this is

too leaning too hard into the stupid

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comedy gimmick thing.

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They're trying too hard here.

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You know, this is I don't like it when

people are making it that much of a joke.

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Mm.

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And I've been on the site journey with it

because I watched it tonight and I was

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like, you know what, actually I'm laughing

my head off at this because it's so

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wilfully stupid.

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But no one is kind of trying to make this

anything that isn't.

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This is a joke entry.

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They are having a laugh and that's fine.

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And, you know, and that will, I think that

will do very well on the Televote on

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Saturday night because, you know,

particularly when people have had a few

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drinks, they'll just be like, wee.

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But yeah, I mean, I think you've got a lot

to look forward to when you see that one

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in full because it's just...

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daft and crude and you know all those

sorts of things that that makes a

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memorable television I suppose.

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Yeah, I mean, talking of memorable,

probably going in completely the opposite

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direction.

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So the UK performed their song for the

first time this year.

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The Big Five get to do a performance

during the semifinals.

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We're obviously very aware of the UK

because we're from there and we want Oli

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to do well.

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Doesn't seem like he's really going to

crack it this year.

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But what was the performance like?

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Yeah, it's interesting because, again,

I've been avoiding spoilers as much as

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humanly possible.

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Obviously, I've seen some pictures.

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And a lot of people have kind of said,

who'd been at the rehearsal, the rehearsal

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performances, that kind of the trifecta of

Ireland into the United Kingdom, into

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Ukraine was kind of the highlight of the

night and the thing that was kind of,

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everything else was measured by.

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And I kind of felt that the United Kingdom

was the weak part in that actually I

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thought...

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vocally we were not great.

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There were some quite iffy moments there.

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And the staging, I wonder if we've

slightly overreacted.

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I think we've almost gone too hard on the

staging, I think.

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No pun intended, but I think we've gone

for such a kind of like an in -your -face

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piece of staging and really trying to make

something out of it.

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And I wonder if that's going to end up

slightly putting people off, particularly

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if...

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if we don't kind of pull the actual

performance back and get that under

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control, because it felt like we'd put all

the tension on this huge dramatic upside

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down, round and round, camera shaking

piece of staging.

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And actually the performance at the heart

of it was quite wobbly.

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And if I'm from another country watching

that, I'm thinking, well, you've got your

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priorities wrong here.

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So I may have kind of completely misread

the mood of Europe on this one, but I was

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watching this one thinking I...

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I don't know if this is the right staging

for us.

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And I'm happy to prove them wrong.

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I really hope it does well.

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But I was sort of sat there feeling

slightly disappointed when I watched it,

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to be perfectly honest.

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Yeah, I mean, I'm yet to see it live on

stage, but it feels like we're going to be

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disappointed this weekend.

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But yeah, I hope I'm wrong.

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Yeah, it just, I think one of the things I

wrote in my notes was that it was all fur

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coat and no knickers.

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Although kind of almost it was all

knickers and no fur coat.

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Yeah, exactly.

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I'm just going to quickly pause and get

the dog in because I had to let him out

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and now he's barking.

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Bear with me.

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Okay.

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Sorry about that, but that should stop him

from creating for the rest.

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Okay.

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Right.

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So besides the UK, which I think is

probably going to disappoint us at the

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weekend, were there any other performances

either from the Big Five or from any of

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the qualifiers that were just a big let

down?

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yeah, I think, I'm struggling to sort of

find much to get excited about with

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Germany.

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I'm not a big fan of the song anyway, and

the fact that they appear to have have

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literally a bin fire on stage is not a

metaphor I would be leaning into

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personally.

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I, yeah, I think a lot of the ones that I

was less keen on did fall by the wayside a

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little bit.

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Although then a few of them did get

through.

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I mean, Portugal.

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wasn't been that one at all.

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That one just felt very nothingy to me.

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I was very surprised I got through.

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I know it was on near the end, which may

have helped them.

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But I almost sort of forgot that one while

I was watching it.

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So yeah, it will be interesting whether

that one gets a little bit lost in the

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shuffle on on Saturday.

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It will be interesting to be seen.

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I was pleased actually that although I had

the donors non qualifiers, I did like

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Serbia and I like Slovenia.

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So I was pleased I did get through.

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But then it meant losing a couple of the

ones I was hoping to see get through.

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The thing that feels wild to me is that

we've had this two hour 20 minute show for

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the purposes of eliminating five songs.

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Five songs!

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little bit overkill, but I also feel like

there's a kind of irony to like really

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celebrating qualifying because if you're

genuinely really like surprised, excited

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that you've made it to the final, it

probably just means you've got no chance

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whatsoever in the final itself.

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yeah, I think so.

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That's the thing.

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I mean, obviously the ones that kind of,

you know, are not worried about their

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places in the finals because as you say,

they're tipped to do well.

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So yeah, but then it's like, it's always

so hard watching that bit where, you know,

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because the thing that really got me when

they were, you know, announcing the

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results was they kept cutting to Poland

and just seeing Luna's face and she wanted

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it so badly.

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You could just, it was written all over

her face.

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And I felt so when, you know, as the kind

of things went on, I was like, I just

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don't think there's room here for Poland

to get through.

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I just don't think, you know.

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all the countries that haven't got through

yet we were left with kind of you know

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Luxembourg and Australia and Poland all

vying out for the final slot and I was

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like it's gonna be one of those three and

I don't think it's gonna be Poland you

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know it's probably either Australia or

Luxembourg.

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And on that note, I mean, are we starting

to see the appeal of Australia wear off?

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And is it viable for them to continue

competing at Eurovision if they're not

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guaranteed a place in the final?

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I mean, you raise a good point there,

actually.

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I mean, I think their participation this

year had a big question mark hanging over

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it for a long time.

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And they, yeah, I think a lot of people

were really rooting for them.

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I really liked the song.

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I thought there was an absolutely

beautiful vocal on it.

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The staging was, unfortunately, it was a

mess.

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I mean, it was very kind of end of the

wedding reception.

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And I think that hurt them a little bit,

perhaps.

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But yeah, I think, you know, you say about

the...

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sort of the love affair ending with

Australia.

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I think the thing that's hurting them

slightly is that they've never been

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particularly strong in the televote other

than kind of once or twice.

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And you know, it's always, they've always

been very strong with the juries and

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that's had to kind of shore up that

they're underperforming in the televote.

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And then obviously now that the semi

-finals qualifications are televote only,

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they haven't got that to fall back on.

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So I did think, you know, given where they

were in the running order this year, I

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thought they were actually in a fairly

good spot to get through.

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I was quite surprised that they didn't,

but I did kind of have that slight vibe

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when I was watching.

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I was like, I just don't know if they've

done enough.

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So yeah, it will be interesting because I

think it is, you know, it's difficult

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logistically for them.

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But then at the same time, a lot of, you

know, there are countries dropping out of

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Eurovision and not returning.

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So I imagine the EBU will probably want to

keep Australia in if they can, because

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they don't really want, you know,

they're...

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getting alarmingly close to not being able

to justify having two semi -finals.

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So...

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And, you know, I think the, one of the,

one of the problems is as you kind of

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:

pointed out is that they're only getting

rid of five songs, which makes competition

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:

for those last couple of spots really

actually quite fierce, I think, because,

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:

you end up with a lot of favorites and,

and, you know, sort of dead sets that

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:

they're going to get through.

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:

And then the last few are sort of

scrambling for that kind of last place or

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:

two.

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:

how much.

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:

Just the sort of running order of the show

impacts that because I noticed this

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:

evening you had Ireland and Croatia

performing very close together.

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:

What does that do for the chances of the

songs that are either side and in between

365

:

them, you know?

366

:

Yeah, I think that's a good point.

367

:

I think that we seem to have quite a

confident start to the evening and we had

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:

quite a strong end to it.

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:

And it was a lot of the songs in the

middle that were kind of got a bit lost in

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:

the shuffle in the end.

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:

I mean, I think we had, you know, you had

Ireland, Lithuania, Ukraine, Croatia, all

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:

on very early.

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:

And then we went straight from Croatia

into Iceland.

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:

And I was like, you know, I didn't didn't

make Iceland to get through anyway, but

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:

not going straight on the heels of

Croatia, because it just it just didn't

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:

hold up.

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:

Yeah.

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:

that's a shame for them, but you know,

it's someone's got to go after the big

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:

hitters and unfortunately it was their

turn.

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:

Yeah.

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:

So, yeah, sorry, Iceland.

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:

but, well, yeah.

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:

so in terms of the show itself, so I saw

from the, you know, when, when all the

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:

voting's happening and they've got all the

bumps going on and the stuff happening

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:

between, you know, to sort of fill the

time basically while people are voting.

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:

there was, there was an odd, mid show bit.

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:

They were really going in hard on the fact

that, Sweden and Ireland.

388

:

had equal Eurovision trophies and they

brought on Johnny Logan.

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:

Is that right?

390

:

Is it Johnny Logan?

391

:

Yeah.

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:

And who performed Euphoria, which Loreen

ously won with Sweden with in:

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:

That was an odd moment.

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:

It was, I mean, it was kind of like the

Magic FM version of Euphoria, wasn't it?

395

:

But I mean, it was, I think it was a

really nice thing to do because it kind

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:

of, obviously, Lorine winning twice not

only took Sweden level with Ireland in

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:

terms of number of overall wins, but it

also meant that he's no longer, Johnny

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:

Logan's no longer the only person to have

won Eurovision twice as a performer

399

:

because now Lorine's done it as well.

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:

So that to me felt like a really nice kind

of gesture of, you know, no hard feelings,

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:

you know.

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:

you did it first and you know you'll

always be in the Eurovision legend why

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:

don't you come on and perform one of the

Lareen songs for her.

404

:

I mean someone on Twitter was saying that

they hope Semifinal 2 has got Lareen doing

405

:

Hold Me Now which I am very here for if

that happens.

406

:

Yeah, that would be great.

407

:

I feel like they're probably holding

Lorraine for the for the final.

408

:

But yeah, let's.

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:

Yeah, that'd be great with hologram of

course.

410

:

But yeah, in terms of the other show

elements, one thing that was new this year

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:

that I'm assuming they're going to do on

Thursday and on Saturday, but won't be as

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:

much of a surprise, was the big reveal of

the green room.

413

:

Now.

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:

I don't know about you, but I loved that.

415

:

That was a great piece of telly, wasn't

it?

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:

Because you sort of, you didn't really

think about where the green room was and

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:

then suddenly the stage just opens up and

there it is.

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:

I mean, it was just brilliant.

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:

And that, I think, is again, it's just a

sign of why Sweden is very, very good at

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:

this.

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:

They just, they know how to kind of take

the, as you say, the slightly dull bits of

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:

the show and do something interesting with

it.

423

:

Yeah.

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:

Yeah.

425

:

And I think over the years, because it's,

I mean, you know, when you look at the

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:

Eurovision timeline of 60 odd years, the

kind of introducing the green room as an

427

:

element within the arena is fairly new.

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:

And over the years, they've gotten a

little bit more creative with how they've

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:

kind of incorporated that into the arena.

430

:

But I think it's gone next level this

year.

431

:

I really loved that reveal.

432

:

And the fact that, you know, it's

difficult to incorporate the Green Room

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:

when we only got two hosts, because we've

normally, you know, the standard now is to

434

:

have kind of, you know, three,

occasionally four, but you sort of knew

435

:

when Sweden were going back, because, you

know, like, they've, Petra did it by

436

:

herself the first time, and then she did

it with with Manzelma the second time.

437

:

So I was kind of like, they don't need two

people to help Petra mid out, she knows

438

:

what she's doing.

439

:

So, you know, I think that it's she and...

440

:

Merlin are going to be really busy on

Saturday, but I don't doubt that they can

441

:

cover it all between them.

442

:

Hmm.

443

:

Yeah.

444

:

however, you know, I think on the whole,

it seemed like, the show itself was really

445

:

well put together this year.

446

:

and if the grand final is any, or if, if

tonight is any indication of what to

447

:

expect in the final, I think it's going to

be a really good show.

448

:

I, I love the arena.

449

:

I, I kind of, I was a bit skeptical about

the cross shaped stage, but I think that

450

:

works really well.

451

:

I think, I think all the elements there.

452

:

a bit lukewarm on the cross shape stage.

453

:

I think we were sort of saying here, I

think it slightly forced some acts to

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:

incorporate things they probably didn't

really want to incorporate.

455

:

They all kind of had to have something

happening on the floor.

456

:

And you could sort of see that some people

had kind of done their national final

457

:

performances with an idea of what they

were going to do at Eurovision and got

458

:

there and was like, it doesn't work on

this stage, we have to do something else

459

:

now.

460

:

It was fine.

461

:

I'm not against it.

462

:

I think.

463

:

think it worked really well for some, it

worked best well for others.

464

:

But it's an experiment.

465

:

You've got to keep mixing it up and trying

different things.

466

:

And I think for the most part, it was

absolutely fine.

467

:

Yeah, I mean, as long as they don't have a

sort of ampersand shaped stage next year,

468

:

because there'll be all sorts of accidents

with that.

469

:

we're gonna have a hashtag shaped stage at

some point, I'm sure.

470

:

Well, yeah, it's coming, isn't it?

471

:

Yeah, hashtag Eurovision.

472

:

So, yeah, OK, let's get some sleep and get

ready for Thursday.

473

:

But before we say goodnight to everyone,

Steve, remind us who were the qualifiers

474

:

and who lost out.

475

:

should we quickly run through?

476

:

So the qualifying acts are in order of

announcement at Serbia, Portugal,

477

:

Slovenia, Ukraine, Lithuania, Finland,

Cyprus, Croatia, Ireland and Luxembourg.

478

:

Those are our 10 qualifiers from this

round.

479

:

That does unfortunately mean that the ones

who didn't get through for the first semi

480

:

-final were Australia, Poland, Iceland,

Moldova and Azerbaijan.

481

:

I'm still gutted about Poland, I'm sorry,

I liked Poland.

482

:

All right, well, I think I'm for one, I'm

glad Ireland got through, I'm glad Croatia

483

:

got through and I think the final was

shaping up very nicely indeed.

484

:

Yeah, and I think the second semi -final

is probably the more competitive of the

485

:

two, so I think Thursday night is going to

be really interesting.

486

:

Mmm.

487

:

Well, thank you very much, Liam, for

joining me this evening.

488

:

I think you're very right that we should

both go off and get some sleep now.

489

:

We will be back.

490

:

We'll be doing another live reaction show

on Thursday night, ready to go up on

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:

Friday morning.

492

:

So do make sure you hit subscribe on your

podcast platform.

493

:

If you haven't done so already, you can

follow us on our socials at Benchwatch

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:

underscore pod or me at Stephen Perkins,

just to make sure you catch all of our

495

:

exciting updates over the course of this

week.

496

:

But until next time, good night, Europe

and good morning, Australia.

497

:

Alright, I'm going to stop there.

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About the Podcast

Douze Points
A Eurovision Podcast
Welcome to Douze Points: A Eurovision Podcast for TV addicts and fellow fans of the Eurovision Song Contest, hosted by journalist and superfan Steven Perkins.

Liverpool 'Mae' not have been quite the success story the United Kingdom was hoping for, but that hasn't dampened our Euro-spirits! This is your essential podcast for the biggest, boldest Eurovision coverage in the whole gosh darn universe.

Every fortnight we’ll be covering all the breaking stories, plus deep dives into Eurovision history, exclusive interviews, and sharing our thoughts and predictions as we look ahead to Sweden 2024 via France for Junior Eurovision 2023.

We’d love to hear from you as well, so if you’ve got a hot Eurovision take you want to share, get in touch with us via our socials at @Bingewatch_Pod or via our Facebook page.
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Liam Heffernan